I’ve just understood why, without me noticing it at first, my writing has somewhat slowed down – and by this, I don’t mean the problems with my dead hard drive, but something more general, with different roots.
I’m currently stuck at a scene I absolutely hate, yet a scene that is essential to the story. The one where my two groups of characters meet, and realize they come from different places, places that shouldn’t be in contact with each other to start with, places about which each involved party has its own beliefs/ideas/legends. It IS an important scene, one that has to happen at some point, since this little bunch of characters wear signs of not originating from the same continent, and it would be totally out of character for them to not ask at least a few questions. On the other hand, my attempts at writing it have, so far, all been pretty dull.
I could distillate the information in-between action scenes, but I’m wary of burdening the reader under too much action, under combat chained to pursuit chained to combat, or anything close to that. I could write your average sit-around-the-campfire evening and have the characters honestly answer to each other’s questions, yet this is a) too much exposition all at once, b) revelations that are spoon-fed too early and too fast to the reader. I’m pondering trying a mix of both methods – a beginning of discussion, followed by an interruption, from which other relationships/a spark of trust could emerge.
In a way, I’m even glad that I’ve ran into this problem: I know that when I manage to overcome it (because I WILL overcome it, I’m not giving up!), I’ll get out of it with a new experience under my belt, and a very valuable one at that.
Right now, though, I’m just at a loss about how to make all of this interesting. * cringes *
